About the sasamori tomoe tag
sasamori tomoe is an artist tag that NovelAI Diffusion can use. On Danbooru it has 516 posts, and its best-rated still image scores 345. The samples above put the tag at the front of a fixed base prompt with seed 1234, so the differences between tags come from the tag alone.
How each model draws sasamori tomoe
Follows pose and expression instructions closely. Good for clean standing portraits.
Picks up face shape, line and palette more strongly. Good when you want the style to lead.
WAI illustrious SDXL v17, a local model. Shows how the same tag reads outside NovelAI.
Writing sasamori tomoe in a prompt
Put the artist tag near the front, then add the subject and quality tags.
sasamori tomoe, 1girl, solo, best quality, masterpiecesasamori tomoe, hatsune miku, 1girlsasamori tomoe, youhei 64d, 1girlThe mix example uses youhei 64d, the closest style on this site. The negative prompt and the full settings are on the terms page.
How these samples were made
Every image uses 832×1216, seed 1234, 23 steps and the k_euler_ancestral sampler. The base prompt and negative prompt stay the same for every tag, and only the tag under test changes. Images flagged by the NSFW check are regenerated with a new seed or hidden.
From the Danbooru wiki
Artist, illustrator. Loves assertive female characters with large breasts, glasses, and long black hair.
Japanese name: 笹森 トモエ Circle: なにもしない (NANIMOSHINAI) Site name: TTH
h6.Works
FAQ
Does NovelAI recognize sasamori tomoe?
Compare the samples on this page. Every tag on this site shares the same seed and base prompt, so any change you see comes from sasamori tomoe.
How do I write sasamori tomoe in a prompt?
Write "sasamori tomoe" near the front of the prompt and separate it from other tags with commas.
Which artists draw in a similar style to sasamori tomoe?
youhei 64d, wakamesan, yamato junji are the closest on this site, judged from the V4.5 samples.
Should I use V5 or V4.5?
V4.5 gives a stronger sasamori tomoe look. V5 gives steadier poses and fewer artifacts.


