About the anabuki tomoko tag
anabuki tomoko is a character tag that NovelAI Diffusion can use. On Danbooru it has 311 posts, and its best-rated still image scores 292. The samples above put the tag at the front of a fixed base prompt with seed 1234, so the differences between tags come from the tag alone.
How each model draws anabuki tomoko
Follows composition and expression instructions closely, so the effect shows in a tidy form.
Reacts to the tag more strongly, so its effect is easier to see.
WAI illustrious SDXL v17, a local model. Shows how the same tag reads outside NovelAI.
Writing anabuki tomoko in a prompt
Put the subject first, then this tag, then quality tags.
anabuki tomoko, solo, best quality, masterpiecewlop, anabuki tomoko, soloThe negative prompt and the full settings are on the terms page.
How these samples were made
Every image uses 832×1216, seed 1234, 23 steps and the k_euler_ancestral sampler. The base prompt and negative prompt stay the same for every tag, and only the tag under test changes. Images flagged by the NSFW check are regenerated with a new seed or hidden.
From the Danbooru wiki
Character from Strike Witches: Suomus Misfits Squadron
A Pilot Officer (later a Flight Lieutenant) serving in the 507th Joint Fighter Wing. A veteran of the Fuso Sea Incident alongside Kuroe Ayaka and Katou Keiko, she's known as "Tomoe Gozen" and "Anabuki of the White Lightning".
Her weapons are a Ho-103 and a Type-89 machine guns, as well as a katana which she uses for her Tsubame Gaeshi technique. Her familiar is a talking fox named Konbei. She's based on Anabuki Satoshi.
FAQ
Does NovelAI recognize anabuki tomoko?
Compare the samples on this page. Every tag on this site shares the same seed and base prompt, so any change you see comes from anabuki tomoko.
How do I write anabuki tomoko in a prompt?
Write "anabuki tomoko" near the front of the prompt and separate it from other tags with commas.
Should I use V5 or V4.5?
V4.5 shows the tag's effect more strongly. V5 gives steadier images with fewer artifacts.
